As the headstrong young men of the Capulet and Montague enemy families snarl and face each other while straining in back-to-back chairs, this Romeo and Juliet looks to be like the West Side Story from which the start of this production takes inspiration. But the Montagues get short shrift poetically (Mercutio is cut more than one way in this adaptation), and with Lucy Lavely’s Juliet taking over while Jefferson McDonald’s Romeo stays just a pretty good-natured guy, the play becomes a rushed romance gone wrong.
Cale Haupert makes Benvolio and Lord Capulet vary only slightly, and Lady Capulet is thus sorely missed. With practically no lines, Zlatomir Moldovanski’s Mercutio seems less important than his other three characters, notably a worthy Friar Laurence. Maxey Whitehead makes a shrinking Tybalt but the Nurse is properly bawdy and also substitutes for the lack of Juliet’s mother.
Of course, Lucy Lavely best handles what little poetry is left in the adaptation in favor of its lot of kissing, which the adapters may feel “sells” the play to students. I would have preferred more sword fighting because what’s done is done well. I think young people will be pleased to get out of a regular class and see this, but it would be nice if they’d also go to the current film for a better feeling of the original.
Subtitle:
Montague Touring Version
Previews:
October 3, 2013
Ended:
November 2, 2013
Country:
USA
State:
Florida
City:
Sarasota
Company/Producers:
Florida State University Asolo Conservatory
Theater Type:
Regional, touring
Theater:
Florida State University - Cook Theater
Theater Address:
5555 North Tamiami Tral
Phone:
951-351-8000
Website:
asolorep.org
Running Time:
45 min
Genre:
Tragedy
Director:
Dmitry Troyanovsky
Review:
Cast:
Jefferson McDonald, Lucy Lavely, Cale Haupert, Maxey Head, Zlatomir Moldovanski
Technical:
Costumes: June Elisabeth Taylor; Sound: Matthew Parker; Vocal Coach: Patricia Delorey; Fight Dir: Bruce Lecure;
Miscellaneous:
This adaptation is for a New Stages Tour (second of its kind) of a Florida State University/Asolo Conservatory for Actor Training third-year class, which is divided into two troupes, Montague and Capulet. After performing state-wide, mainly in schools to “prepared” student audiences, the actors conduct discussion sessions. There is doubling among all actors but the two leads. After
the tour, the students will join the professional Asolo Repertory Theater Company for thieir season of plays through Spring 2014.
Critic:
Marie J. Kilker
Date Reviewed:
October 2013