In Man and Boy, a revival of Terrence Rattigan’s 1961 play about a flamboyant financial trickster, Frank Langella, surrounded by a mostly excellent cast, gives a tour-de-force performance as he encounters his estranged son, played by Adam Driver in a rushed, overacted performance, singing many of his lines, partly in soprano, contrasting with the solid Zach Grenier, Michael Siberry, Virginia Kull and the rest of the cast.
The play is fascinating in this time of financial crisis, and Langella’s powerhouse performance, filled with subtleties, emotional shifts, nuances, is a sure Tony nomination, and probably the winner.
Set by Derek McLane gives clear definition and dimension, and Kevin Adams’ lighting enhances all. Costumes by Martin Pakledinaz are appropriate for the time (1930’s) and just right.
Maria Aitken has directed the play with strength, subtlety and vigor (although a bit too much vigor for Driver). The totally engaging play plumbs the depths of lack of conscience as a man in the grip of the lowest material forces commits an ultimate betrayal.
Do you go to the theater hoping to see great acting? It’s here — catch Langella.
