Perhaps my strong pro-Israel, pro-Zionist bias predisposes me to like William Gibson's drama on the life of Israel's most beloved Prime Minister. But political leanings aside, Gibson has crafted one of the more tautly constructed and dramatic solos in recent memory. Yes, like most monologues about famous people, the elderly Golda Meir (played by the estimable Tovah Feldshuh) looks back and speaks in retrospect. What adds fire to Golda's Balcony is that the protagonist spends much of the brief play nailed to the worst day of her life -- one that nearly saw the destruction of her beloved country. That she so effectively used power politics and the threat of weapons of mass destruction to outmaneuver Nixon, Kissinger and the entire Arab world, adds a further layer of current-events relevance to this gripping piece. Add 1/4* if they tone down the convincing but offensively thunderous sound design for Broadway.
Images:
Previews:
March 14, 2003
Opened:
March 26, 2003
Ended:
April 27, 2003
Other Dates:
moved to Broadway in October 2003
Country:
USA
State:
New York
City:
New York
Company/Producers:
Manhattan Ensemble Theater
Theater Type:
off-Broadway
Theater:
Manhattan Ensemble Theater
Theater Address:
55 Mercer Street
Phone:
(212) 925-1900
Genre:
Bio Drama
Director:
Scott Schwartz
Review:
Parental:
loud noises
Cast:
Tovah Feldshuh (Golda Meir)
Technical:
Set: Anna Louizos; Costumes: Jess Goldstein; Lighting: Howell Binkley; Sound: Mark Bennett; Projections: Robin Silvestri (Batwin + Robin); Wigs: Paul Huntley; Dramaturg: Aaron Leichter. Props: Kathy Fabian.
Critic:
David Lefkowitz
Date Reviewed:
April 2003