Everything you've heard about the first five minutes of The Lion King is true. When a golden sun rises on Richard Hudson's orange set, when birds on poles flitter about the audience's heads, when lion-masked actors prowl and wooden antelopes lope across the stage, when giant papier-mache'-style elephants galumph down the aisle—all this to the unforgettable voice of Tsidii Le Loka, her face painted up as an African mask—the only rational response is to cry a little and wonder at the glories of life and art.
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